It's all about the decisions you make on the roles you play that make one stand out in the business - a small role in Transformers (2007), cast in an ill-rated film Asylum (2008), and another one in the mirthless Meet the Spartans (2008). But I guess this is the locale of show business: you're only as good (and profitable) as your compliance to the script provided. Most applicable to the rising stars.
Combined efforts of coincidence and destiny, and the timely intervention of a hankering, came to Russovoir's attention the suspense/thriller film Bloodwork (2011), a crowning film that looked out his best interests. Travis Van Winkle (below, foreground) is the devil spoken of, finally have a leading role in a brilliant film.
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| "I don't think it's that bad. We're just wearing... dresses." |
The plot of Bloodwork is an indication of improvement from his other films of no lingering impact. A lead role, in fact, from what were once minor to forgettable roles. A film of such imaginative and presumptive storyline, one must have thought it had been the beginning of something familiar: zombies. More like wolverine-esque zombies.
Three thousand one hundred fifty dollars - money - as their motivation, two college students decided to sign up for a supposedly pharmaceutical breakthrough experiment. Their bodies didn't reject the drug coursing through their veins to alert any immediate threat. Nor the drug was unavailing to show side effects of unrecorded magnitude.
Our body's ability to feel disgust, both in tangible substances and behavior, is a defense mechanism against bacteria and human extinction. Withdrawal of disgust of any kind is the revealing symptom that what had been for the restoration of life was a medical irony.
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