Inception says, "Sweet Dreams!".

Russovoir wants Trance to be as critically acclaimed as Christopher Nolan's Inception (2010). Where which out of respect Inception is still close ahead by a couple of millions because that's how it works in the competitive industry of firsts. "I call dibs on hacking the mind.", Russovoir hears Nolan saying to himself at one point, or to a group. Regardless, Trance, as if simply mentally picking out a few general and interesting points and presumptions of the aforementioned and innovate them, is a unique Danny Boyle experience. Like scraps from an old car that have been collected and sculpted to become a work of art (not that Boyle is scrap nor Nolan is an old car).

Russovoir feels too it's important to mention Nir Paniry's Extracted (2012). He watched this months back and servility of work plugged the creative juices to finish the review. Doesn't matter, Russovoir is determined to finish it and, look at the bright side, how timely you have something to compare it with now. Trust Extracted and Trance have two completely different plots. But equally brilliant.

Sasha Roiz in Extracted.

Unforgettable in Wanted (2008), James McAvoy was a new kind of fierce in the film. He's like a bad dream you didn't mind soundly sleeping through because the volatile persona is a beautiful nightmare. *telephone ringing* Hold that thought, that's probably Beyonce.

Now where were we? Ah, yes. Rosario Dawson. Allow Russovoir to assume. Prior to this film, and maybe during the making, there must be a lot of things in her head regarding the role she's going to play and its bare stipulations. The hunch is, Dawson believes in the story so much - the story really is remarkable - that the audience will look past, or even forget these 'revelations'. However, not immediately but rather gradually because, 1) you understood the necessity and at the same time, 2) there's a race between the heavy plot and your limited faculties in which you have to win or else, it's frustrating. All while the climax is escalating. Yes, you're going to have to think.

"You're going to forget me."

Think hard and think fast. Or else you're going to want to watch it again (as admittedly so). This is not a movie after a long day of work. Russovoir will not even walk you through the plot; you're going to have to watch it and exercise your mind for once. One thing is certain, Trance, much like its ending, on the account that there is either an overload or a breach of information, one as well ultimately has a choice to keep or discard it; so as to be tranced.