It's a WHISKY business.

Cheers to Shia LaBeouf, a performance as hard as a straight up vodka.

Shia LaBeouf has proven himself even before Lawless. In fact, Russovoir was bent to watch Lawless because of his well-received, and well-maintained reputation in shia-ning light of his films that surely were of his discretion to play. To his shia-ck, LaBeouf has grown so much since Even Stevens (2003). On which until to this day, Russovoir can't help comparing him with in an almost possessing nostalgia.

He knows the art of pain, re-beouf of all unnatural front, as sincere to be vicarious as Kristen Stewart with her own art of brooding and ponder, Speak (2004). Alongside his independent films, Disturbia (2007) Eagle Eye (2008) and Wall Street: Money Never Sleeps (2010), Lawless is yet another film that proves his audacity and expertise as an actor of value, maturing in the industry as if strategically.

"Invincible. I don't know what that means but it sure sounds good."

Brutal and merciless, at an antiquated time where a gun shot is deafening, Lawless is the declassification of Virginia's foaming secret. The Bondurant brothers have each a role to play to keep the liquor flowing for eventually it will be strained. Like a mad frat party, they came for the alcohol and will stop at nothing to get it. But here's the kick that burns one's throat. The Bondurants are the hosts and won't entertain if not for the agreed, familiar wrist lock.