Russovoir applauds the finding what's already outside of the box and putting it back in. Sinister personally is a mesh of Children of the Corn (1984), Paranormal Activity (2007), and Insidious (2010). Without going so much into detail to avoid, to quote Dr. Sheldon Cooper (Big Bang Theory), your mind of being preblown, the film is not exactly predictable despite elements resembling the mentioned films. It's a whole new experience - not as realistic as Insidious - but it's an experience - say, a new figure of scary - relatively one's while.
It's been a while Ethan Hawke has come out and play, so I commend him for that. Or Russovoir has just been - surely unconsciously - apathetic of his prior films (Do comment films of Hawke's you personally think grabs one by the talons). And there's the reappearance of child actor Michael Hall D'Addario from People Like Us (2011); he was a familiar face. Longer hair, vaguer in gender (for the record, he's a boy). First it was Isabelle Fhurman whose very face is indelible as the sex-starved, latent dwarf in The Orphan (2009). Tenuously, The Possession's (2012) Natasha Calis as the possessed, troubled 10-year old. Sinister didn't have as intimidating a character but the film has set a standard - ingenious standard, I must add - to all aspiring horror films. Let's just agree it's a relief Hollywood succeeds in creativity than Shake, Rattle, & Roll 14. Fourfuckingteen.
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| "Did you say eater of children's souls?" |
Furthermore, Baghuul was a hauntingly refreshing sight (on the screen, center). Trust Hollywood creating a character from scratch, provided of course eclectic inspiration. Entities coming from harmless objects (in this case, a Super 8 mm camera) dates us back to that film that unwind an unrealized fear of global magnitude with just a videotape, The Ring (2002), an adaptation of Japan's Ringu (1998). With an element proudly one of ours, Feng Shui (2004), this is a horror film as convenient as products that have a 3-in-1 spin. Quite sinister.
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